
There is the plot, and the script, and the narrative, and the context which we are continually trying to impose our plot, script and narrative upon, thinking we are the director when we are only the actor in a plot without a writer, unfolding, ourselves, along with it as the circumstances keep evolving according to their own good pleasure, transforming the contexts of each day and carrying us along with it into new scenes and different characters while we remain stuck with trying to force our idea for the situation onto each situation as it arises when the impromptu, extemporaneous, spontaneous, unrehearsed, immprovisionational nature of our life keeps us spinning around, crashing into the set and the props and the other players because we refuse to comprehend the nature of life and cooperate with it by becoming one with the Epiphany of the moment, reading what is happening, knowing (Somehow. How can we possibly know?) what is fitting and what is not, and doing, quite out of nowhere, what is needed in each moment of each situation of each day as it opens before us, scene by scene, becoming all it is capable of being in a dance beyond belief, waiting, as it is, for us to give ourselves to it, listening for the music no one can hear until they begin to dance with whatever is before them in the moment that is at hand, right here, right now. See?
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